Roger Broders (1883-1953) was a French poster artist who created around 100 posters for the Paris-Lyon-Méditerranée (Compagnie des Chemins de fer de Paris à Lyon et à la Méditerranée) (PLM) railroad. His English language Wikipedia entry is here.
I wrote about his Art Deco / Moderne posters here. This post presents some of his work done before his late 1920s transformation to highly simplified illustrations.
Gallery
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This is an example of Broders' mature work of the late 1920s and the 1930s.
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Before railroad posters, Broders illustrated other subjects.
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This is a totally contrived view of Avignon. He shows the famous pont, but it is a ways upstream from the Papal Palace that, in turn is actually behind a large wall if viewed from the river. Here, the wall might be in scale relative to the houses (assuming they are considerably in its foreground), but the actual palace is greatly enlarged by Broders for promotional effect.
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A more realistic view of Florence. The image is simplified, as most 20th century posters have been, but not nearly so much as in the Moderne style one at the top. Another way to date Broders' posters is to examine his signature: Moderne versions are sans-serif style.
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Menton lies just inside the French-Italian border.
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Two non-Riviera destinations. The images are not yet as stylized as in his later work.
I wrote about his Art Deco / Moderne posters here. This post presents some of his work done before his late 1920s transformation to highly simplified illustrations.
