Sir Lawrence Alma-Tadema (1836-1912) is best known for his paintings of Classical scenes. I wrote in 2011 about the rise of prices for his work, discussed his miniaturist aspect here and recently wrote about this small painting seen at San Francisco's Legion of Honor museum.
During that same museum visit I spied and photographed another small painting by him, but this was not one of his Classical scenes. Nor was it an early painting made before he settled into that genre. Rather, its title is "In My Studio" and was painted in 1893 when his career was thriving.
What I think is important about this work is his use of color, explained in a caption below. Click on the images of my photos to enlarge, especially if your computer has a large screen.
Gallery
Establishment iPhone snapshot.
Detail. Tadema was skilled at depicting materials, especially Classical marble. This painting displays skillful work dealing with the draped cloth over a chest or table. But what intrigues me even more is the color work on the woman's dress. No hard-edge pattern here. Instead, subtle mixtures of toned-down, somewhat grayed reds and blues painted in a seemingly casual yet actually disciplined manner. That Alma-Tadema fellow was really good.
During that same museum visit I spied and photographed another small painting by him, but this was not one of his Classical scenes. Nor was it an early painting made before he settled into that genre. Rather, its title is "In My Studio" and was painted in 1893 when his career was thriving.
What I think is important about this work is his use of color, explained in a caption below. Click on the images of my photos to enlarge, especially if your computer has a large screen.
Establishment iPhone snapshot.
Detail. Tadema was skilled at depicting materials, especially Classical marble. This painting displays skillful work dealing with the draped cloth over a chest or table. But what intrigues me even more is the color work on the woman's dress. No hard-edge pattern here. Instead, subtle mixtures of toned-down, somewhat grayed reds and blues painted in a seemingly casual yet actually disciplined manner. That Alma-Tadema fellow was really good.