Charles Courtney Curran (1861 – 1942) was of the same ilk as his Boston School contemporaries, though he did his work in New York State and Ohio rather than in or near The Hub. His Wikipedia entry is here, and a more detailed biography can be found here.
Curran was highly skilled and painted attractive women in a variety of settings for the most part. For nearly 20 years or so he made many paintings of young, usually white-clad woman on hilltops near his summer home in Upstate New York. I offer a sampling of these below.
Gallery
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View of Ellenville, New York
This is the area where Curran did his hilltop scenes. Ellenville lies in Ulster County, up the Hudson River from New York City, near the southeastern corner of the Catskill Mountains. The view is from the Shawangunk Ridge near the tiny village of Cragsmoor (about three miles south of Ellenville), where Curran had a summer home. The Catskills are seen in the background.
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Faraway Thoughts
This painting is more hard-edge than most of the others. I don't have a date for it, so can't give it context.
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Noonday Sunlight - 1918
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On the Cliff - 1910
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On the Heights - 1909
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Summer - 1906
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Summer Clouds - 1917
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Sunlit Valley - 1920
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Sunshine and Haze
I like this (and the preceding image) because Curran did a convincing job of painting the usually humid summer atmospherics of that part of New York State. I can attest to this because I spent more than four years in Albany and traveled to the Catskill region many, many times in those days.
Curran was highly skilled and painted attractive women in a variety of settings for the most part. For nearly 20 years or so he made many paintings of young, usually white-clad woman on hilltops near his summer home in Upstate New York. I offer a sampling of these below.
This is the area where Curran did his hilltop scenes. Ellenville lies in Ulster County, up the Hudson River from New York City, near the southeastern corner of the Catskill Mountains. The view is from the Shawangunk Ridge near the tiny village of Cragsmoor (about three miles south of Ellenville), where Curran had a summer home. The Catskills are seen in the background.
This painting is more hard-edge than most of the others. I don't have a date for it, so can't give it context.
I like this (and the preceding image) because Curran did a convincing job of painting the usually humid summer atmospherics of that part of New York State. I can attest to this because I spent more than four years in Albany and traveled to the Catskill region many, many times in those days.